Eremocene (Age of Loneliness)
Eremocene (Age of Loneliness)
Eremocene, 2017, preview, (Image Carl Warner)
Eremocene, 2017, preview, (Image Carl Warner)
Eremocene, 2017, preview dual images, (Image Carl Warner)
Eremocene, 2017, preview dual images, (Image Carl Warner)
Eremocene, 2017, preview dual images, (Image Carl Warner)
Eremocene, 2017, preview dual images, (Image Carl Warner)
Deep Ecology, 2016, detail of submerged, lit form, (Image Keith Armstrong)
Deep Ecology, 2016, detail of submerged, lit form, (Image Keith Armstrong)
Deep Ecology, 2016, detail of submerged, lit form, (Image Keith Armstrong)
Deep Ecology, 2016, detail of submerged, lit form, (Image Keith Armstrong)
Deep Ecology, 2016, in Exhibition Over Many Horizons (Image Denis Beaubois)
Deep Ecology, 2016, in Exhibition Over Many Horizons (Image Denis Beaubois)
Deep Ecology, 2016, in Exhibition Over Many Horizons (Image Denis Beaubois)
Deep Ecology, 2016, in Exhibition Over Many Horizons (Image Denis Beaubois)
Deep Ecology, 2016, in Exhibition Over Many Horizons (Image Denis Beaubois)
Deep Ecology, 2016, in Exhibition Over Many Horizons (Image Denis Beaubois)
Deep Ecology, 2016, in Exhibition Over Many Horizons (Image Denis Beaubois)
Deep Ecology, 2016, in Exhibition Over Many Horizons (Image Denis Beaubois)
Eremocene, 2017, Behind the scenes viewport, (Image Carl Warner)
Eremocene, 2017, Behind the scenes viewport, (Image Carl Warner)
Eremocene, 2017, behind the scenes main view lit, (Image Carl Warner)
Eremocene, 2017, behind the scenes main view lit, (Image Carl Warner)
Eremocene, 2017, Behind the scenes projection mask, (Image Carl Warner)
Eremocene, 2017, Behind the scenes projection mask, (Image Carl Warner)
Eremocene, 2017, behind the scenes tank, (Image Carl Warner)
Eremocene, 2017, behind the scenes tank, (Image Carl Warner)
Eremocene, 2017, behind the scenes tank, (Image Carl Warner)
Eremocene, 2017, behind the scenes tank, (Image Carl Warner)
Eremocene, 2017, behind the scenes main view lit, (Image Carl Warner)
Eremocene, 2017, behind the scenes main view lit, (Image Carl Warner)
Eremocene, 2017, behind the scenes tank, (Image Carl Warner)
Eremocene, 2017, behind the scenes tank, (Image Carl Warner)

Eremocene (Age of Loneliness)

Eremocene (Age of Loneliness) reveals a mysterious, internally glowing creature, witnessed from different vantage points and views, moving uncannily, in fluid motion within a dense blackness.  Enveloping sound, vision and movement are as one as this ‘life-like’, ‘bio-morphic’ form continually fades in and out of perception.

The idea of the 'extinction of human experience' expresses our projected fear for all that will be rendered senseless, when ancient, intelligent, biodiverse worlds have descended into permanent darkness. But as one series of conceptions slip into extinction, so others flow on in. Eremocene (Age of Loneliness) suggests that we might instead embrace artificially intelligent ‘things’, with little need for dated legacies - such as excess light or the long-extinguished sounds of biological life. Philosopher and Biologist  E.O. Wilson calls such possible futures the ‘Eremocene’: the ‘age of loneliness’

The project is foregrounded by ten years of sustained collaborations with life scientists, ecologists and sustainability professionals, in which I have reflected upon both vulnerability and resilience of marine, terrestrial and human ecologies, as they relate to todays ‘overheated’ increasingly artificially intelligent worlds.

TEAM: Keith Armstrong: artistic direction, Luke Lickfold: generative sound composition/coding, Matt Davis: generative image composition

PARTNERSHIPS:  QUT Creative Industries, Keith Armstrong is supported by a part time associate directorship role at QUT Creative Industries.

Eremocene (Age of Loneliness) builds upon the originating work Deep Ecology - first shown to broad acclaim in a solo exhibition at UTS Art Gallery, Sydney, Australia in Aug-Sept 2016. That multi-work show was favourably reviewed in a long form review by Real-time 134, and was described by audiences and reviewers as “ambiguous”, “unsettling” and “subtle”, with “deeply engaging” and “mesmerizing” with outcomes somehow tinged with a strange sense of “sadness”. This complex mix of sensibilities, which carries through into Eremocene (Age of Loneliness), resonating with ideas of ‘extinction of human experience’.

Approximate floorplan (pdf)
Tech requirements (pdf)
Roadcase sizes (pdf)