Finitude (v3) - Beijing Art-Science Biennial, Nov 2012 (Image Keith Armstrong)
Finitude (v3) - Beijing Art-Science Biennial, Nov 2012 (Image Keith Armstrong)
'Finitude' V2, (2012) at Artisan Gallery Brisbane. (Photo Carl Warner)
'Finitude' V2, (2012) at Artisan Gallery Brisbane. (Photo Carl Warner)
The Remnant (v2): 2011, Interactive Installation, Shown Here in Cairns, Australia. (Photo Colyn Huber)
The Remnant (v2): 2011, Interactive Installation, Shown Here in Cairns, Australia. (Photo Colyn Huber)
Knowmore (House of Commons) 2010, participant interacting with table spin, touch and position,Polish Mediations Biennial, Sept-Oct 2010, Image Keith Armstrong
Knowmore (House of Commons) 2010, participant interacting with table spin, touch and position,Polish Mediations Biennial, Sept-Oct 2010, Image Keith Armstrong
Knowmore (House of Commons): 2010, Participant Navigating Table-Top Interface. (Photo Keith Armstrong).
Knowmore (House of Commons): 2010, Participant Navigating Table-Top Interface. (Photo Keith Armstrong).
The Remnant (v1): 2010, ScreenShot. (Photo Keith Armstrong)
The Remnant (v1): 2010, ScreenShot. (Photo Keith Armstrong)
Shifting Intimacies: (2006-8), At KickArts, Cairns, 2008. (Photo David Campbell)
Shifting Intimacies: (2006-8), At KickArts, Cairns, 2008. (Photo David Campbell)
Knowmore (House of Commons): 2010, 'Keeping Still' State, Screen Grab. (Image Chris Barker).
Knowmore (House of Commons): 2010, 'Keeping Still' State, Screen Grab. (Image Chris Barker).
Intimate Transactions (v3): 2005-8, Participant Navigating on Mark III Aluminium Bodyshelf, ACMI, Melbourne, Australia. (Image David McLeod)
Intimate Transactions (v3): 2005-8, Participant Navigating on Mark III Aluminium Bodyshelf, ACMI, Melbourne, Australia. (Image David McLeod)
Intimate Transactions (v3): 2005-8, Intimate Transactions: Shared Body Group. (Image Stuart Lawson)
Intimate Transactions (v3): 2005-8, Intimate Transactions: Shared Body Group. (Image Stuart Lawson)
Front Cover of Book Intimate Transactions, Art, Exhibition and Interaction Within Distributed Network Environments
Front Cover of Book Intimate Transactions, Art, Exhibition and Interaction Within Distributed Network Environments
Grounded Light: 2003, Lisa O'Neill Performs Atop of Mt. Tinbeerwah, Sunshine Coast, Qld, Australia. (Photo Phil Hargreaves)
Grounded Light: 2003, Lisa O'Neill Performs Atop of Mt. Tinbeerwah, Sunshine Coast, Qld, Australia. (Photo Phil Hargreaves)
Shifting Intimacies: (2006-8), At the ICA London, 2006, Projection Onto a Raised Disc of White Sand. (Photo Keith Armstrong)
Shifting Intimacies: (2006-8), At the ICA London, 2006, Projection Onto a Raised Disc of White Sand. (Photo Keith Armstrong)
Knowmore (House of Commons): 2009, Prototype Test Image on Spinning Table. (Photo Keith Armstrong).
Knowmore (House of Commons): 2009, Prototype Test Image on Spinning Table. (Photo Keith Armstrong).
Golden Circle: 2001, Aerial Photo of Installation (Photo Russell Emerson)
Golden Circle: 2001, Aerial Photo of Installation (Photo Russell Emerson)
Public Relations: 1997, Passenger and Work, Brunswick Street Station, Brisbane, Australia. (Photo Sonja DeSterke)
Public Relations: 1997, Passenger and Work, Brunswick Street Station, Brisbane, Australia. (Photo Sonja DeSterke)
Number 14: 1996, Lisa O'Neill Performs With Body Copies. (Photo Andrea Higgins)
Number 14: 1996, Lisa O'Neill Performs With Body Copies. (Photo Andrea Higgins)

What Is Embodied Media

A video, image and sound archive and latest presentation site for new media artist Keith Armstrong's collaborative, interdisciplinary arts projects and arts research practices.

Embodied media represents a multidisciplinary team of collaborators and researchers who are collectively motivated to think about how we can each best create sustainable pathways to the future - acknowledging that we live in an era that is in many ways ‘Post Natural’. We achieve this aim through engaging the public in deeply considered artistic works of all kinds, working in ways that avoid streams of facts or stern lectures; working instead to influence mind, body, emotion and scientific process in all areas of society and culture. We are always ready to talk about how we can work together to create new art forms...

I Keith Armstrong have been a practising freelance artist, creative director, media designer & system integrator of new media artworks since 1993. I specialise in the development of collaborative, mixed reality productions that merge site-specific interactive installation, performance and multimedia practices.

These art works include site-specific electronic arts, networked interactive installations, alternative interfaces, performance forms, public arts practices and art-science collaborations. My research and writings focus on better understanding how scientific and philosophical ecologies can be used to influence and direct the design and conception of new artworks.