"This is what Sankofa / Sekoele looks like in practice. Not nostalgia. Not sentimentality. But the
deliberate, disciplined act of reaching back into indigenous building methods, into oral knowledge,
into the body's memory of how to shape earth – and carrying that forward into new light, new form,
new voice". The radiant "wall at Sekoele does not separate inside from outside. It radiates. It is translucent. It does not keep the community out – it broadcasts the community in".

Collaborations with scientists have become a major focal point for artists, with many scientists now appreciating the value of building working relationships with artists and projects often going far beyond illustration of scientific concepts to instead forge new collaborative frontiers. What is needed to better “enable” and “situate” arts–science partnerships and support mutual learning?

Responding to the art-science exhibition 'Wetland Wander': August 2018
Queensland Conservatorium, Griffith University, South Bank Campus, Australia

Catalogue Essay, "Stillness A Meditation in New Media Art", Vaughan PInxit, 2014

There are many ways to understand water beyond those lenses that science and functional thinking have given us. How about ethics of water for example; its politics; or the social systems that water constitutes? How do we really ‘think’ about water and therefore treat it? Who controls its flow and quality and what happens when it runs out? How many days might there be between a disconnected pipe and outright war?

Spin-Doctor - Some Notes on KNOWMORE (House of
Commons, Feb. 2009, Pat Hoffie, Brisbane, Australia.

An Essay by Professor Tony Fry in Response to the Intimate Transactions Project, Presented by the GeoProject Website.

Art, Science and Ecological Consciousness: Being Part of 'Transmute'. Dr. Liz Baker, 2002, Brisbane, Australia.