Still from 'Common Thread' (2022) 4k video, ISEA 2022, Barcelona, Spain. Image Keith Armstrong

Common Thread

Carbon Dating, 2020-2024, Interweaver, Personal Model (Image Donna Davis)

Carbon_Dating

Camphora (Breath Work), 2022. Installation Detail. (Photo Keith Armstrong)

Camphora (Breath Work)

Uramat Mugas 2021-2, Prototype ‘Night space’ showing masks behind screens, APT10, Dec 4 2021- April 25 2022, Image QAGOMA

Uramat Mugas (Uramat Story Songs)

Audience view, Elegy for Life, Anthem for Artifice, 2019, National Museum of China. (Image Carl Warner)

Elegy for Life_Anthem for Artifice

Staging Change, Installation Site 1, Vrystaat Kunstefees International Arts Festival/Tsa-Botjhaba, South Africa, July 2018, (Image iFlair)

Staging Change

Unity in Diversity

Change Agent, 2018, Durban Art Gallery, ISEA 2018, (Image Christo Doherty)

Change Agent

Art + International Development

Future-Future?, 2017, Caleb Motshabi Township Sunrise, South Africa (Image Keith Armstrong)

Future Future?

Go Their Own Way

Are We The One? 2017, A walker begins the guided walk, at the same time as their mystery partner. (Image courtesy Artshouse)

Are We The One?

walking new futures

Over Many Horizons documentation video

Over Many Horizons (O|M|H)

solo exhibition, 2016

O'Twellang, 2017, in Exhibition 'The Mesh', Stegmann Gallery, South Africa (Image iFlair)

O_Tswellang

implement change

Inter-State, 2017, in Exhibition 'The Mesh', Stegmann Gallery, South Africa (Image iFlair)

Inter-State

Shifting Dusts, 2017, in Exhibition 'The Mesh', Stegmann Gallery, South Africa (Image iFlair)

Shifting Dusts

decay and renewal

Seasonal documentation video

Seasonal

periodic disturbance

Uncanny Intimacy at Object Gallery, Australian Design Centre, Sydney, Aug-Sept 2015

Uncanny_Intimacy

Coexistence, A Design Opportunity

Overviews the thinking and outcomes of the Black Nectar Project. (Camera and edit Sam James. Courtesy of Bundanon Trust).

Black Nectar

charting courses through seasons of change, animality and imagination

Long Time, No See? 2014, Cube Visualisation Centre Brisbane (Image Keith Armstrong)

Long Time No See

sustaining new stories for future path-making

Light Of Extinction, at Thingworld, Media Art China, National Gallery of China

Light of Extinction

an era of permanent darkness

Finitude

time (left) is finite

Intimate Transactions (v3): 2005-8, Intimate Transactions: Shared Body Group. (Image Stuart Lawson)

Intimate Transactions

In the permanent collection of ZKM, Germany

< FEATURE PROJECTSALL PROJECTS >

Key Artworks

Are We The One?

Black Nectar

Camphora (Breath Work)

Carbon_Dating

Change Agent

Common Thread

Elegy for Life_Anthem for Artifice

Finitude

Future Future?

Inter-State

Intimate Transactions

Light of Extinction

Long Time No See

Over Many Horizons (O|M|H)

O_Tswellang

Seasonal

Shifting Dusts

Staging Change

Uncanny_Intimacy

Uramat Mugas (Uramat Story Songs)

Access All

Dark Cartographies

Elektrosonic Interference

Eremocene (Age of Loneliness)

Escolas De Samba

Flow

Fundamental Sounds

Golden Circle

Grounded Light

Groundwork

In Step

Knowmore (House of Commons)

Lie of the Land

Lighter Than Tai

Liquid Architecture

Liquid Gold

Live Art Incubator

Night Rage

Number 14

Party 25

Pitfall

Public Relations

Re-Future

Re-Introduction

Remnant Emergency Artlab

Seven Stage Futures

Shifting Intimacies

Sounds of the Suburb

Stop Jabiluka!

Subcon

Temporal

The Final Frontier

The Last Generation

The Remnant

The Sun Gives

Transact Flesh/skin/bone

Transaction

Transit Lounge

Tree of Fortune

Unbearable Lightness

Uncertain Circle

Whisper Our Futures

Why Fundamentalism?