Still from 'Common Thread' (2022) 4k video, ISEA 2022, Barcelona, Spain. Image Keith Armstrong

Common Thread

Carbon Dating, 2020-2024, Interweaver, Personal Model (Image Donna Davis)

Carbon_Dating

Camphora (Breath Work), 2022. Installation Detail. (Photo Keith Armstrong)

Camphora (Breath Work)

Uramat Mugas 2021-2, Prototype ‘Night space’ showing masks behind screens, APT10, Dec 4 2021- April 25 2022, Image QAGOMA

Uramat Mugas (Uramat Story Songs)

Audience view, Elegy for Life, Anthem for Artifice, 2019, National Museum of China. (Image Carl Warner)

Elegy for Life_Anthem for Artifice

Staging Change, Installation Site 1, Vrystaat Kunstefees International Arts Festival/Tsa-Botjhaba, South Africa, July 2018, (Image iFlair)

Staging Change

Unity in Diversity

Change Agent, 2018, Durban Art Gallery, ISEA 2018, (Image Christo Doherty)

Change Agent

Art + International Development

Future-Future?, 2017, Caleb Motshabi Township Sunrise, South Africa (Image Keith Armstrong)

Future Future?

Go Their Own Way

Are We The One? 2017, A walker begins the guided walk, at the same time as their mystery partner. (Image courtesy Artshouse)

Are We The One?

walking new futures

Over Many Horizons documentation video

Over Many Horizons (O|M|H)

solo exhibition, 2016

O'Twellang, 2017, in Exhibition 'The Mesh', Stegmann Gallery, South Africa (Image iFlair)

O_Tswellang

implement change

Inter-State, 2017, in Exhibition 'The Mesh', Stegmann Gallery, South Africa (Image iFlair)

Inter-State

Shifting Dusts, 2017, in Exhibition 'The Mesh', Stegmann Gallery, South Africa (Image iFlair)

Shifting Dusts

decay and renewal

Seasonal documentation video

Seasonal

periodic disturbance

Uncanny Intimacy at Object Gallery, Australian Design Centre, Sydney, Aug-Sept 2015

Uncanny_Intimacy

Coexistence, A Design Opportunity

Overviews the thinking and outcomes of the Black Nectar Project. (Camera and edit Sam James. Courtesy of Bundanon Trust).

Black Nectar

charting courses through seasons of change, animality and imagination

Long Time, No See? 2014, Cube Visualisation Centre Brisbane (Image Keith Armstrong)

Long Time No See

sustaining new stories for future path-making

Light Of Extinction, at Thingworld, Media Art China, National Gallery of China

Light of Extinction

an era of permanent darkness

Finitude

time (left) is finite

Intimate Transactions (v3): 2005-8, Intimate Transactions: Shared Body Group. (Image Stuart Lawson)

Intimate Transactions

In the permanent collection of ZKM, Germany

< FEATURE PROJECTSALL PROJECTS >

Key Artworks

Common Thread

Carbon_Dating

Camphora (Breath Work)

Uramat Mugas (Uramat Story Songs)

Groundwork

Elegy for Life_Anthem for Artifice

Staging Change

Change Agent

Future Future?

Eremocene (Age of Loneliness)

Are We The One?

Seven Stage Futures

Over Many Horizons (O|M|H)

O_Tswellang

Inter-State

Shifting Dusts

Seasonal

Re-Future

Uncanny_Intimacy

Temporal

Black Nectar

Long Time No See

Light of Extinction

Dark Cartographies

Pitfall

Night Rage

Re-Introduction

Finitude

Remnant Emergency Artlab

The Remnant

The Sun Gives

Knowmore (House of Commons)

Lighter Than Tai

Lie of the Land

Intimate Transactions

Fundamental Sounds

The Last Generation

Sounds of the Suburb

In Step

Whisper Our Futures

Why Fundamentalism?

Shifting Intimacies

Subcon

Party 25

Tree of Fortune

Unbearable Lightness

Grounded Light

Transact Flesh/skin/bone

Flow

Access All

Transaction

Golden Circle

Elektrosonic Interference

Transit Lounge

Liquid Gold

Live Art Incubator

Stop Jabiluka!

Public Relations

Number 14

Uncertain Circle

Liquid Architecture

Escolas De Samba

The Final Frontier